Description
1979 Gibson Les Paul Custom Wine Red All Original I bought this guitar from an American collector who owns over 50 guitars, including pre-war models. A very interesting person, formerly involved in work with Russians concerning rockets, but now a retired American. This guitar was one of his favorites; he kept a couple of acoustics for himself and sold the Custom to me. Everything in it is original down to the screw, excellent condition both externally and internally. The frets are also in…
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1979 Gibson Les Paul Custom Wine Red All Original I bought this guitar from an American collector who owns over 50 guitars, including pre-war models. A very interesting person, formerly involved in work with Russians concerning rockets, but now a retired American. This guitar was one of his favorites; he kept a couple of acoustics for himself and sold the Custom to me. Everything in it is original down to the screw, excellent condition both externally and internally. The frets are also in excellent condition, the guitar has been preserved incredibly well! Regarding the sound: it reminded me of my 1977 Gibson Les Paul Standard, only it has slightly more sharpness and highs, probably due to the ebony fretboard. It sounds quite meaty; it is ideal for classic hard rock. There is composure in every note; when rolling off the tone, the guitar sounds without losing its character and the necessary frequencies. When you roll off the neck pickup on overdrive, the gain goes away and the guitar sounds warm and clean; I grew very fond of this specific sound back on my Standard - you get something between clean and crunch, and you can always smoothly roll up the gain and switch to a meaty sound. This is very convenient when, for example, you don't have a footswitch or you have a single-channel amplifier, like Slash. The sustain is insane... The sound is hooligan-like, as it should be for a good Gibson) with a bit of hoarseness and quack. Ergonomics: the guitar has no cavities, holes, etc., it is just a pure piece of wood, which, of course, gives it such long sustain. The maple neck, which, by the way, was made for only about 6 years on the LPC, is quite strong, and it is precisely this one that is not at risk of having a broken headstock, it is also made with a volute))) The neck itself is quite thin, something between the modern Gibson 60s and 59s neck profile. Appearance: since the guitar has been preserved in ideal condition, it looks very beautiful, and at the same time there is nothing superfluous, everything is strict and corresponds in appearance to its hooligan sound)) Now let's move on to the specifications: Body: mahogany (1 piece, no holes or cavities) with a maple top Neck: maple (3 pieces), neck profile is something between 59 and 60 Fretboard: ebony, 22 frets Inlay: mother-of-pearl rectangles Scale: 24.75 Tuners: Gibson Pickups: original Gibson PAT NO. Electronics: 2 volumes, 2 tones, 3-way switch Production: USA, 1979 I haven't tried an LPC from the early 70s with a mahogany neck yet (I've only tried an 87 with a mahogany neck - also for sale), but I will say that today maple necks give me intense pleasure in the neck position, they add some kind of telecaster-like quality to the sound or something like that... it's hard to explain in words, so come to the showroom, listen with your ears, touch with your hands! The guitar comes with the original Gibson case! Let me remind you that the guitar is in collector's condition and it will soon be forty years old)) I am sure that the satisfaction from the purchase will be 100%. Review of a similar LPC The guitar is located in Dnepropetrovsk! You can listen to it on a good tube setup of your choice — Mesa Boogie, Marshall, Engl.... I will deliver to any point in the world
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| Year | 1979 | — | — |
|---|---|---|---|
| Condition | Used | New | New |
| Made in | United States | Poland | Japan |
| Body | Mahogany | Mahogany | Alder |
| Top | Maple | — | — |
| Neck | Maple | Wenge | Maple |
| Fretboard | Ebony | Ebony | Rosewood |
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