Description
Marshall JCM800 Lead 2203 100 W Head If necessity were not the mother of invention, we probably would never have seen the JCM 800 series. In 1981, the 15-year contract with Rose-Morris, which acted as the exclusive distributor of Marshall products worldwide and whose warehouses were still full of unsold Marshall amplifiers, expired. This naturally meant that as long as the Rose-Morris warehouses were full, the volumes of Marshall's independent sales would be extremely low. Therefore, Marshall,…
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Marshall JCM800 Lead 2203 100 W Head If necessity were not the mother of invention, we probably would never have seen the JCM 800 series. In 1981, the 15-year contract with Rose-Morris, which acted as the exclusive distributor of Marshall products worldwide and whose warehouses were still full of unsold Marshall amplifiers, expired. This naturally meant that as long as the Rose-Morris warehouses were full, the volumes of Marshall's independent sales would be extremely low. Therefore, Marshall, whether they wanted to or not, devalued all the old amplifiers lying in the warehouses by launching the JCM 800 series into production, named after Jim's car license plate, "JCM 800", which in turn stood for his initials, James Charles Marshall. The JCM 800 amplifiers were introduced in March 1981 and, with the exception of the Super Bass model, were initially nothing more than the old "Master Volume" and "Super Lead" series with a slightly modified design. The appearance became more solid than before: the control panel became full-size, the front side was covered with fabric with white piping, and in addition, Jim's signature and the inscription "JCM 800" in bold font appeared on the panel. On the back of the amplifier, a steel grille protecting the tubes replaced the wooden plank. These amplifiers were used by almost every band that played hard rock, and the series became a key product that helped the company survive during the most difficult time. The device is fully tube-based (using three ECC83 tubes and four EL34 tubes), has 100 W power, a single-channel preamplifier, two instrument inputs, preamplifier volume control, three-band equalizer, Presence control, master volume control, power switch, anode voltage switch. The modern version differs from the original only in that it has a series effects loop (a pair of jacks on the rear panel), which can be completely bypassed for greater authenticity. Technical specifications: Power: 100 Watts. 3-band equalizer. 2 Inputs with different sensitivity. Effects loop. Dimensions: 750x315x215 mm. Weight: 20.5 kg. It was very important for me personally to understand that it was the 2203 model that was chosen by many famous musicians - for me, first of all, this is my idol Slash - guitarist of Guns N' Roses, as well as Kerry King from Slayer! The model is most interesting for its sound, it has a vintage flavor and a veeery tasty crunch! The amplifier is in perfect condition! Made in Great Britain! 220 V power supply! There is a cabinet for it - Marshall 1960BC with Greenbacks in perfect condition - discount if purchased together. P.S. I set the price tag - 30% of the lowest one in our store! Even ordering it will result in +/- the same price tag. Sounds about like here in the review The head is in Dnipropetrovsk! You can listen to it at our studio through various cabinets I will deliver across the CIS in 1-2 days
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LEGACY-460
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| Condition | Used | New | New |
|---|---|---|---|
| Made in | United Kingdom | Germany | United Kingdom |
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